'The Peaks'
art project by Valentina Gelain, 2022 - Present
The main themes of the project are the psychic instances, the connection between them, and what can be achieve if we actively connect to the unconscious and try to overcome the passive and illusory condition we perpetrate with our 'conscious' state.
'The Peaks’ is a figuration of the (numbed) self - a depiction of imperceptible inner consistencies and dynamics, between cowering indifference and rooted existences.
From the clear spire of the ego, implacable impulses induce an apparent descent into the abyss, a glimpse of the cosmic womb… and in the very liminal penumbra one might (re)find awareness, vital links, and finally awaken.
Circumstances that in the artist's imagination becomes almost palpable in the symbolism of the art production.
References that bring together archetypes, the interpreted value of the colour spectrum, the intimate connection with the natural element and the poetic narrative.
The title takes inspiration from the classic image of the ‘iceberg’, to describe how ancestral and unattainable by reason the human unconscious can be. A title that finds a perfect resonance in the geological locations chosen for the artfilm.
With their rich essence, the Black and White perfectly embody the concept of these entities that lodge within us. The visible and the invisible, the known and the oblivion, always in this perpetual will and clash.
’The Peaks’ is a reminder: the two poles are still us, the poles are me and the other. We are the white, we are the black... and everything in between, around.
From a message of duality and coexistence, of mutual listening and consideration, attention to the other is consequently stimulated. No longer the other within us, but other individuals and so on.
The observer is invited to dive into personal introspection, based on the realisation of the inner concreteness and outcomes that manifest in the superficial sphere of the being. Understand and connect with what we try in vain to avoid, from which we must try to draw every filament, reflection, motion that we are able to grasp and work with ourselves.
Knowing how to interpret and accept ever-evolving mutation through discomfort, turning a situation of personal struggle into active possibility.
The art film 'The Peaks', through the landscapes of Ostrobothnia and their peculiar conformations, plunges us among surreal and dreamlike scenarios, where one can be absorbed and transported into the non-visible that constitutes us.
The locations of the main work (the video) is Lostenen/Ilveskivi and the surrounding forest in northern Ostrobothnia (FI), The Devil's Nest/Pirunpesä in South Ostrobothnia (FI), and some secondary clips are filmed in the Bus del Buson, in the Belluno Dolomites Park (IT).
The multidisciplinary project involves the expression and research through the production of: video art/performance, crafting, material art, mixed media, drawings, photographs and writing.
'Diving.
Moving towards the reflected nothingness,
detaching dimly from the distinct surface.
I am deeping, following the thread_
_line leading to the gate, over which the will slips.
Motionless, standing upright, now I see it.
I see me:
seated, intense and umbrous like everything beyond,
waiting, in silent imperturbability.
The peculiar eyes scrutinise me, revealing myself in the cesium billows.
... I was expecting.
I know what I have to do, this has already happened.
I would not go in there again,
and yet I can't help it,
not any more.
The abysmal complexity calls me back,
Self trembles and the truth awaits.
Reality,
not filled by a plunge, attempted visits are never enough,
the finite, (here), is not even illusion...
escape does not reside in contemplation;
but stripped of constraints
with true attention, promptness of volition,
need to grasp,
we can transform meaning, we can free in us
adding effects.
Conjoint unity,
meeting, dissolving on the way,
in the balance on extremes
of still unknown connections.
The conscious pallour fades into penumbra
and mingles with the dense darkness;
lost reverberations are (re)evoked in the blur,
unexpected paths are (re)found,
dipping into iridescent founts.
The apparent whispering emptiness
Touches,
invades,
interpenetrates,
liquefies-
-becoming,
dilating,
expanding,
merging,
I sense the visceral centrality of us,
the ancestral origin.
.. and finally in the mutated renewal,
in aware chaos,
I perceive the superhuman, boundless, infinite
relationship with the whole ~'
Info about 'The Peaks' art film:
Lgth: 9min 47sec
Credits: Direction - Valentina Gelain | Camera operator - Jukka Rajala, Bekim Hasaj | Editing - Valentina Gelain | Sound/Music - Stefan Backas | Assistant - Bekim Hasaj | Professional advice Jukka Rajala
Sponsors: Svensk-Österbottniska Samfundet, Svenska Kulturfonden & Arts Promotion Center Finland-Taike
Info about 'Speculum-The Peaks' video:
Lgth: 1min 32sec
Credits: Direction - Valentina Gelain | Camera operator - Bekim Hasaj | Editing - Valentina Gelain | Sound/Music - Stefan Backas (the sound of the video is an extrapolation of the original sound of the art film ‘The Peaks’).
The art film/project is funded by Svenska Kulturfonden, Svensk-Österbottniska Samfundet & Arts Promotion Centre Finland-Taike.
'A veil of reason over the unconscious'
On the clear spire
in cowering indifference
in precarious balance
Avoiding protruding
to the believed doom
Restrain by dull
eternity
Passive and illusory
conscious state
Concealment’s omission
bearing your own face
Melting ego
chocked on myself
Culminating momentum
Inner consistencies
and dynamics of
overcome
Implacable pulses
Let yourself drawn,
be released
of what holds on the surface
Sink
Drown
Demons have
our weight
Purge the bias
rewind your supposed ken
Descent into the abyss
Awakening in the fall
Remains in the bowels
Rooted
lanes
Primordial
stratum
Ancestral
flecking
A glimpse of the cosmic womb
Upside-Down
inconceivable extremities
Gurgling basal
Legacies in the stomach
Fund reminiscence
Retching
of probing
Draining clarity
Pass through the eyes
black holes
Swallow the eyes
Imbibe the universe
In the
liminal penumbra
Finally awaken
Praise of impermanence
Transient consumption
extrication in grains of sand
perpetual dust
Valentina Gelain, 'The Peaks' 2023 & 'A veil of reason over the unconscious' 2024
Duo exhibition at Rådhuset Gallery in Nykarleby (Finland, 17 January-28 February 2025). Displayed art: 'a veil of reason over the unconscious' photo-poetry installation, 2024.
Duo exhibition at Rådhuset Gallery in Nykarleby (Finland, 17 January-28 February 2025). Featured video: 'The Peaks', 2023.
Reference images from past projects. 'Unconscious' by Valentina Gelain, 2019 / photographic documentation.
Duo exhibition at Rådhuset Gallery in Nykarleby (Finland, 17 January-28 February 2025). Displayed art: 'a veil of reason over the unconscious' photo-poetry installation, 2024.
Artistic corpus:
’The Peaks’ Valentina Gelain, 2022. Costumes ~ cotton fabric, hand-stitched with cotton thread variable dimensions. | ’The Peaks’ Valentina Gelain, 2023. Poem. | ’The Peaks’ Valentina Gelain, 2023. Art film ~ HD video, stereo channel, colors, sound, 16:9, 9min 47sec. | 'Speculum-The Peaks' Valentina Gelain, 2024. Video ~ HD video, stereo channel, colors, sound, 16:9, 1min 32sec. | ’The Peaks’ Valentina Gelain, 2024. Sculpture ~ Clay, water-based paint and cotton thread, 15x15x50cm. | ’a veil of reason over the unconscious’ Valentina Gelain, 2024. Poem. | 'a veil of reason over the unconscious’ Valentina Gelain, 2024. Poem. Photo-poetry installation ~ digital print on cotton fabric, 40x50cm each.
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